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I began by looking into the colour-sound relationship of the synaesthetic composer Olivier Messiaen (1908-1992), and have loosely based my harmonic material on various modes he associated with some of the sunset colours. In terms of timbre, there is a focus on the warm registers of the double reeds, horn, and strings; the ethereal qualities of harp and metallic percussion, and the rich, otherworldly sound of superball mallet on tam-tam. The texture imitates the clouds’ blurred beginnings and ends, its transparency, and its subtle patterns.
​Blushing Skies was the Overall Winner & Orchestra’s Choice at the 2014 NZSO Todd Young Composer Award.
–Salina Fisher
Visit Salina Fisher’s website to listen to Blushing Skies.Â
