Haralabos [Harry] Stafylakis
Stafylakis is the Winnipeg Symphony Orchestra’s Composer-In-Residence and Co-Curator of the WSO’s Winnipeg New Music Festival. His works have been performed by the Toronto, Winnipeg, Vancouver, Edmonton, Ottawa, Victoria, PEI, Spokane, Stamford, FSU, and Greek Youth Symphony Orchestras, Norwegian Radio Orchestra, American Composers Orchestra, Greek Youth Symphony Orchestra, McGill Chamber Orchestra, Israel Chamber Orchestra, Roomful of Teeth, ICE, Contemporaneous, Mivos Quartet, Quatuor Bozzini, Aspen Contemporary Ensemble, Nouveau Classical Project, ensemble mise-en, Standing Wave, Cadillac Moon Ensemble, Cygnus Ensemble, Ensemble 212, Alea III, Lorelei Ensemble, Architek Percussion, Norrbotten NEO, and American Modern Ensemble. His works have been featured at the NY Philharmonic Biennial, Aspen Music Festival, Winnipeg New Music Festival, and the Montreal International Classical Guitar Festival, among others. In 2018–19 he collaborated with progressive metal pioneers Animals As Leaders on the orchestral adaptation of their music for metal band & orchestra.
His music has been recognized with the Charles Ives Fellowship from the American Academy of Arts and Letters, the ASCAP Foundation’s Leonard Bernstein Award, four SOCAN Foundation Awards for Young Composers, and grants from the Canada Council for the Arts, New York State Council on the Arts, and New Music USA. He serves on the board of directors of GroundSwell (Winnipeg) and the interdisciplinary curatorial panel of I-Park Foundation (CT), is an Associate Composer of the Canadian Music Centre, and a founding member of the NYC composer collective ICEBERG New Music.
Upcoming projects include new works for the Winnipeg Symphony, bass-baritone Philippe Sly, Hard Rubber Orchestra, Contemporaneous, Periapsis Music and Dance, Cowan–Cicchillitti guitar duo, and pianist Jenny Lin.
Stafylakis holds degrees from McGill University and The Graduate Center, City University of New York (CUNY). He lectures at the City College of New York. His doctoral research, supported by the Social Sciences and Humanities Research Council (SSHRC) of Canada, examines the conception of rhythm and meter in progressive metal.
Brittle Fracture, for orchestra
FSU Symphony Orchestra, Matt Bishop conducting
Holocene Extinction, for orchestra
Never the Same River, for orchestra
Aspen Conducting Academy Orchestra, Felix Mildenberger conducting
Calibrating Friction, for seven amplified players
Aspen Contemporary Ensemble, Timothy Weiss conducting
String Quartet No. 4, “Aftermath”
Unrelent for six players
Contemporaneous, David Bloom conducting
Works Available for Purchase
A Parable for End Times (2018)for SATB, PianoPiano/Vocal Score
A Parable for End Times (2018)for SATB, full orchestraStudy Score
Brittle Fracture (2013)for full orchestraStudy Score
Into Oblivion (2019)for bass-baritone and orchestraStudy Score
SkyRise (2016)for brass quintetScore and Parts
Unrelent (2017)for mixed sextetScore and Parts