Harry Stafylakis

New York City-based composer Harry Stafylakis (b. 1982) hails from Montreal, Canada. “Dreamy yet rhythmic” (NY Times), with a “terrible luminosity” and “ferociously expressive” (Times Colonist), his concert music is “an amalgamation of the classical music tradition and the soul and grime of heavy metal” (I Care If You Listen). With an intimate background in progressive metal and traditional Greek music, Stafylakis has developed a unique conception of musical temporality and rhythm, infusing his compositions with a characteristic vitality and drive that “favors doomsday chords and jackhammer rhythms” (The New Yorker).

Stafylakis is the Winnipeg Symphony Orchestra’s Composer-In-Residence and Co-Curator of the WSO’s Winnipeg New Music Festival. His works have been performed by the Toronto, Winnipeg, Vancouver, Edmonton, Ottawa, Victoria, PEI, Spokane, Stamford, FSU, and Greek Youth Symphony Orchestras, Norwegian Radio Orchestra, American Composers Orchestra, Greek Youth Symphony Orchestra, McGill Chamber Orchestra, Israel Chamber Orchestra, Roomful of Teeth, ICE, Contemporaneous, Mivos Quartet, Quatuor Bozzini, Aspen Contemporary Ensemble, Nouveau Classical Project, ensemble mise-en, Standing Wave, Cadillac Moon Ensemble, Cygnus Ensemble, Ensemble 212, Alea III, Lorelei Ensemble, Architek Percussion, Norrbotten NEO, and American Modern Ensemble. His works have been featured at the NY Philharmonic Biennial, Aspen Music Festival, Winnipeg New Music Festival, and the Montreal International Classical Guitar Festival, among others. In 2018–19 he collaborated with progressive metal pioneers Animals As Leaders on the orchestral adaptation of their music for metal band & orchestra.

His music has been recognized with the Charles Ives Fellowship from the American Academy of Arts and Letters, the ASCAP Foundation’s Leonard Bernstein Award, four SOCAN Foundation Awards for Young Composers, and grants from the Canada Council for the Arts, New York State Council on the Arts, and New Music USA. He serves on the board of directors of GroundSwell (Winnipeg) and the interdisciplinary curatorial panel of I-Park Foundation (CT), is an Associate Composer of the Canadian Music Centre, and a founding member of the NYC composer collective ICEBERG New Music.

Upcoming projects include new works for the Winnipeg Symphony, bass-baritone Philippe Sly, Hard Rubber Orchestra, Contemporaneous, Periapsis Music and Dance, Cowan–Cicchillitti guitar duo, and pianist Jenny Lin.

Stafylakis holds degrees from McGill University and The Graduate Center, City University of New York (CUNY). He lectures at the City College of New York. His doctoral research, supported by the Social Sciences and Humanities Research Council (SSHRC) of Canada, examines the conception of rhythm and meter in progressive metal.

Black Tea Music handles promotion and commissions for Harry Stafylakis.

Contact us for more information.

Spotlight

Works appear on two new albums released in fall 2019:
Focus on Focus released by Duo Cicchillitti-Cowan [Analekta]
Obstinata 1: Barbed Wire on The Etudes Project, Volume One: ICEBERG with pianist Jenny Lin [Sono Luminus]

Featured Works

Brittle Fracture, for orchestra
Holocene Extinction, for orchestra
String Quartet No. 4, “Aftermath”
Into Oblivion, A symphonic song cycle for bass-baritone & orchestra

Audio

Brittle Fracture, for orchestra
FSU Symphony Orchestra, Matt Bishop conducting
 

Holocene Extinction, for orchestra
 

Never the Same River, for orchestra
Aspen Conducting Academy Orchestra, Felix Mildenberger conducting
 

Calibrating Friction, for seven amplified players
Aspen Contemporary Ensemble, Timothy Weiss conducting
 

Video

String Quartet No. 4, “Aftermath”
Mivos Quartet
 

 

Unrelent for six players
Contemporaneous, David Bloom conducting