Haralabos [Harry] Stafylakis
New York City-based composer Haralabos [Harry] Stafylakis (b. 1982) hails from Montreal, Canada. “Dreamy yet rhythmic” (NY Times), with a “terrible luminosity” and “ferociously expressive” (Times Colonist), his concert music is “an amalgamation of the classical music tradition and the soul and grime of heavy metal” (I Care If You Listen). With an intimate background in progressive metal and traditional Greek music, Stafylakis has developed a unique conception of musical temporality and rhythm, infusing his compositions with a propulsive vitality that “favors doomsday chords and jackhammer rhythms” (The New Yorker).
Since 2016, Stafylakis is the Winnipeg Symphony Orchestra’s Composer-In-Residence and Co-Curator of the WSO’s Winnipeg New Music Festival. His works have been performed by orchestras including the Toronto, Vancouver, Winnipeg, Edmonton, Ottawa, Regina, Québec, Victoria, PEI, Spokane, Stamford, Longueuil, FSU, and Greek Youth Symphony Orchestras, Norwegian Radio Orchestra, American Composers Orchestra, Orchestre Classique de Montréal, and Israel Chamber Orchestra.
He has collaborated with artists and ensembles including Animals As Leaders, Dame Evelyn Glennie, Roomful of Teeth, JACK Quartet, Bent Knee, Decoda Ensemble, ShoutHouse, Raphael Weinroth-Browne, Contemporaneous, Vicky Chow, Hard Rubber Orchestra, Alexandre Da Costa, and Philippe Sly, among others.
His works have been featured at venues and festivals around the world, including Carnegie Hall and the NY Philharmonic Biennial. In 2018–19 he collaborated with progressive metal pioneers Animals As Leaders on the symphonic adaptation of their music for metal band & orchestra, and in 2020–21 collaborated with Courtney Swain and members of Bent Knee and ShoutHouse on the prog metal & chamber music fusion dontwaitforme.
Recent recordings featuring his music include albums by the Norwegian Radio Orchestra & Miguel Harth-Bedoya (Naxos), Jenny Lin (Sono Luminus), the Cicchillitti-Cowan Duo (Analekta), Patrick Kearney (Contrastes), and the Hard Rubber Orchestra (Redshift).
His music has been recognized with the Charles Ives Fellowship from the American Academy of Arts and Letters, ASCAP’s Leonard Bernstein Award, SOCAN’s Classical Composer of the Year Award, four SOCAN Foundation Awards for Young Composers, and grants from the Canada Council for the Arts, New York State Council on the Arts, Lower Manhattan Cultural Council, FACTOR, SSHRC, and New Music USA. He serves on the board of directors of GroundSwell (Winnipeg), is an Associate Composer of the Canadian Music Centre, and a founding member of the NYC composer collective ICEBERG New Music.
Stafylakis holds degrees from McGill University and The Graduate Center, City University of New York. He lectures at the City College of New York (CUNY) and Purchase College Conservatory of Music (SUNY), and is a guest lecturer at Nazareth College in Rochester, NY. His research examines the conception of rhythm and meter in progressive metal.
Brittle Fracture, for orchestra
FSU Symphony Orchestra, Matt Bishop conducting
Holocene Extinction, for orchestra
Never the Same River, for orchestra
Aspen Conducting Academy Orchestra, Felix Mildenberger conducting
Calibrating Friction, for seven amplified players
Aspen Contemporary Ensemble, Timothy Weiss conducting
String Quartet No. 4, “Aftermath”
Unrelent for six players
Contemporaneous, David Bloom conducting
Works Available for Purchase
A Parable for End Times (2018)for SATB, PianoPiano/Vocal Score
A Parable for End Times (2018)for SATB, full orchestraStudy Score
Brittle Fracture (2013)for full orchestraStudy Score
Gnothi Seauton [Know Thyself] (2019 (arr. 2020))for clarinet, violin, cello and pianoScore and Parts
Incinerate (2022)For percussionist and piano trioScore and Parts
Into Oblivion (2019)for bass-baritone and orchestraStudy Score
SkyRise (2016)for brass quintetScore and Parts
Source Code (2019 / 2021)for big bandStudy Score
Unrelent (2017)for mixed sextetScore and Parts